OB:
Archaic. Short for "obligation". From Eric Frank Russell's
sf classic, "...And Then There Were None" but listed here
because fans have used it enough to adopt it as a term of
their own. Also a net term. (SB)
OBLITERINE:
British mimeo correction fluid. (Long obsolete.) (RH)
OC:
Official Collator, the person responsible for collating an apa.
Like many an OE, they may also mail out the apa. The
exceptions tend to be those apas which are adjuncts of some
local club; Apa L at LASFS, e.g., where virtually all the
members/contributors pick up a copy after it has been run off
on the club's electric Gestetners. (KR)
OE:
Official Editor, the person responsible for collating and
mailing out an apa. (KR)
ONESHOT:
A fanzine published on one and only one occasion, usually on
the spur of the moment, often first-draft. The latter
frequently results in a publication that is forced, stilted
and unpleasant. The "classic" oneshots, as published during
the Laney/Burbee Insurgency, were different because the
participants usually brought previously drafted and even
somewhat polished material to it. (rb)
OO:
Official Organ, the memberzine of an apa. Clubs other than
apas can also have OO's; The National Fantasy Fan is the OO of
the N3F, e.g. In an apa, the OO generally lists (1) the
titles, editors and number of pages of publications in the
individual apa mailing being sent out with it, (2) a membership
roster listing all active members and dues and/or minac owed,
plus waiting listers (with or without addresses), and (3)
official reports from the OE/OC and other officers, if
applicable. (rb)
OUTLANDERS:
A former Los Angeles fan club for members of LASFS who lived in
the "outlands" of Los Angeles, and thus found it difficult to
make it to every meeting of LASFS. When the Outlanders
disbanded in 1948, some fans began using the slogan "South Gate
in '58" as an interlineation or filler in their fanzines—-
South Gate being the town where their founder Rick Sneary,
a.k.a. "the Hermit of South Gate", lived. The idea of the
slogan was to promote an after 10-years reunion of the
Outlanders; eventually, however, it became a successful
Worldcon bid. The Solacon was held in a Los Angeles hotel
which was ceded for the Labor Day the weekend to the Mayor of
South Gate by the Mayor of Los Angeles, as South Gate did not
have a hotel large enough to host the event which drew fans in
the hundreds. (DE/rb)
OZ:
1. The fantasy world created by L. Frank Baum for his classic
children's novels, including but not limited to "The Wizard of
Oz."
2. The affectionate term for Australia, in and out of
fandom. (SB)
OZARKS:
Where Claude Degler planned to have his "love camps" in which
members of his Cosmic Circle could breed the race of fans
destined to rule the sevagram. (rb)
PANEL:
A collection of people called together to conduct a
discussion on a specific topic at a con. (KR)
PERSONALZINE:
PERSZINE:
A zine put out by one person, usually about the activities
and thoughts of the editor. (KR)
PITCUER POCTSARCD:
see POCTSARCD.
POCTSARCD:
Sometimes known as the little typo that made good. Walt
Willis made it and Lee Hoffman elevated the typo to fannish
fame. Walt and LeeH were initially engaged in a
correspondence which was fast and furious, long letters
supplemented by shorter ones that passed each other in the
mail, and in turn were added to by postcards. Then when there
hadn't been any mail from LeeH in a while, Walt dashed off a
postscript that said ="What, no poctsarcds?"= LeeH replied
that, alas, there were no poctsarcds to be had in her area
-- not even pitcuer poctsarcds. And from that time onward,
no one in fandom ever used a postcard again. Willis,
tickled, used his press to run off some poctsarcds, so
labeled. He also supplied the definition: While postcards
have the space for the message printed on one side and the
space for the address on the other, with poctsarcds it's
done precisely the other way around. (TP)
PRO:
Although some people seem to think this is anybody who has
ever been paid for a story, it is in fact short for
"professional" and should be applied only to those who have
made a significant portion of their living by writing. (rb)
PROXYBOO, LTD.:
A whimsical and mythical commercial enterprise, run by Walt
Willis and Lee Hoffman, which offered to conduct various ego-
boosting forms of fanac in the name of whoever paid their
exorbitant fees (which started at $10,000/year and went up,
depending on the services rendered). Guaranteed to turn the
customer into a Well Known (or, at the higher end of the fee
spectrum, Big Name) Fan--its advertising claim being that
anyone who was a WKF or BNF was already a Proxyboo, Ltd.
Client. Vernon McCain ran a rival service, but it was quite
exclusive, working only for those whose initials were "rb"--and
in its advertising named its supposed major "success story"
clients, i.e., Ray Bradbury, Robert Bloch, Redd Boggs, &c.
(rb)
PROZINE:
A professional sf magazine. Term coined by C. Russell
Chauvenet at about the same time as he coined the term
"fanzine". (rb)
RAE,BNC:
apa term, "Read And Enjoyed, But No Comment", or "Rare And
Ennobling, But No Cigar" The net equivalent is to quote an
entire post to say, "What s/he said." (rb)
RELAXACON:
A convention at which there is little or no programming, but
plenty of places where fans can gather and talk and party and
smof and engage in fourth dimensional mental, verbal and
sometimes even herbal crifanac. (rb)
ROSCOE:
Fannish Ghod invented by Art Rapp, Rick Sneary and Ed Cox in
1949. Roscoe is a beaver whose birthday is Labor Day Weekend
(which all fans celebrate, Roscoeites or not). Possibly the
most popular of the fannish ghods, for reasons unknown,
although Rapp speculated that it might have been a numbers
game. Which is to say, FooFoo was invented by one fan (Jack
Speer) and GhuGhu by two (Don Wollheim with the help of John
Michel), and Rapp speculated as follows:
Then mighty Roscoe's cult arose
(as every SPACEWARP reader knows)
Interpreted by deacons three:
Rick Sneary, Edmund Cox and me.
The moral of this history, fan
Is: cults ain't founded by one slan;
Attempts by two make fandom nod,
For only t'ree can make a ghod. (DE)
S,AS:
1. "Smiling, Always Smiling", roughly equivalent to ; ).
2. "Snide, Always Snide". (KR)
SBOF:
Society of Boring Old Farts a.k.a. Secret Bastards of Fandom.
Not just any old exclusive, manipulative and secretive fan
group, SBOFs not only tell SMOFs what to do, they strike terror
in the hearts of fans everywhere, what with their proven
ability to run anyone they don't like out of fandom on a rail
—-or, at the very least, to have them condemned, torn down and
a Burger King built on the site. They meet twice yearly in
obscure and exotic places, from Romanche Deep to Majorca,
Orekhovo Zuyevo to Hidalgo del Parral, or New Dorp to Rybinsk
Reservoir, where they make their snap judgments with regard to
charting the course of fandom's future, thunder out arbitrary
orders and are instantly and unquestioningly obeyed. (rb)
SCI FI:
1. Science fiction like junk produced for mass audiences.
2. Non fannish term for science fiction.
3. Seriously intended hyper fannish name for science fiction,
based on the popularity of "hi fi" equipment, invented by
Forrest J Ackerman. Unfortunately, his own association and
involvement with "schlock"/grade B sf movies brought the term
to its currently accepted meaning (covered adequately by
definitions 1 and 2 above). There's also the tongue-in-cheek
comment, "Hoi polloi pronounce it psi phi, but we cognoscente
call it skiffy." (rb)
SCIENTIFICTION:
Term coined by Hugo Gernsback to describe what is now called
"science fiction" or "speculative fiction" and which was once
called "scientific romance"; used fairly commonly in the '30s,
now used nostalgically. (abbreviated STF, adj. STFNAL) (KR)
SEMIPROZINE:
Semiprofessional magazine. See WSFS rules governing the Hugo
awards for details. (rb)
SENSITIVE FANNISH FACE:
1. Term used to describe fans, referring to the confluence of
large amounts of body fat, glasses and facial hair (the latter
chiefly in male fans) marking fans. Always seemed to be used
in faanfiction as marginally self satirical, as in the
assertion that fans can sometimes tell that someone else is a
fan because they had a Sensitive Fannish Face. (Trufans can
tell other Trufans by their "auras," usually at distances
upwards of 150 feet, but this is a separate matter. They can
also tell whether or not a fanzine contains a mention of their
name simply by laying their hands upon the cover.)
2. Code, according to Rusty Hevelin, for gay fans. (obsolete)
SERCON:
(1) Serious and Constructive. Sf fandom was founded by sercon
fans (back in the late 20s) who wrote letters to prozines to
comment on and criticize the stories. Because Hugo Gernsback
published the addresses with the letters, those people started
writing to each other. This correspondence led to the
development of fanzines, clubs (the Science Fiction League),
cons and fandom as a social unit. By the 1940s, the term came
to be used derisively, because sercon fans tended to take
themselves, science fiction and their involvement in sf fandom
too seriously; they valued making lists over genuine critical
insight, would rather pontificate than tell a joke and saw it
as their duty to "promote" science fiction to the place where
it belonged, i.e., surely at the top of the pile of all
Literature. These pipple got a lot of fun poked at them. By
the early '70s, however, the term lost its derisive clout as
newcomers misapplied it to works of serious and at least
somewhat constructive criticism.
(2) In the late 1980's, "getting sercon" became a euphemism
for "getting stoned".
(3) Inevitably became the name of a convention. (rb/RH)
SFOHA:
Science Fiction Oral History Association, a group formed to
preserve the history of early fandom through audio and video
tape interviews. (SD)
SFWA (or SFFWA):
The Science Fiction (& Fantasy) Writers Association.
Originally just SFWA. Founded by damon knight, among
others; since his "Unite or Fie!" article has often been
credited with the foundation of the National Fantasy Fan
Federation aka N3F, there were those who wondered why he
hadn't "learned better" the first time. (rb)
SHACKTIVITY REQUIREMENTS:
Most APAs allow married couples to share a single membership.
One set of dues and one mailing is all they pay and get,
respectively, but if both maintain regular activity
requirements, they can usually each vote in the egoboo poll (if
any) and in the election of officers. Some of the social
changes that are generally associated with the '60s actually
got started in the late '50s--and Charles Burbee, who was then
an official of FAPA, addressed one of them by pointing out that
some fan couples were choosing to live together and try things
out for a while, rather than getting married only to discover
that they were really incompatible. Not to put too fine a
point on it, Burbee said, they were shacking up. Burbee ruled
that these couples could have a dual membership in FAPA, just
like a married couple, provided they met "shacktivity
requirements," i.e., by proving to him that they did the same
things together that married couples do. (rb)
SKIFFY:
see SCI FI
SLAN:
The race of persecuted super humans in the A.E. van Vogt novel
of the same name. Slans, depicted as the next stage of human
evolutional development (homo superior), are intellectually
superior and the ones who have tendrils in their hair are
natural telepaths. In the book, they were being hounded to
their deaths by mere homo sapiens, presumably because the poor
saps didn't want to be replaced by the pure sups. Fans, who
felt like a persecuted minority because of the reactions they
got from mundanes for merely reading that Crazy Buck Rogers
Stuff, identified readily enough with the slans, but none more
strongly than Claude Degler. While the consensus was that fans
are not really slans, Degler and his Cosmen (members of
Degler's club, the Cosmic Circle) seemed to believe it
seriously, and were planning on love camps in the Ozarks where
fans could go to breed the race that was destined to rule the
sevagram. (rb)
SLANSHACK:
A tongue-in-cheek reference to Deglerism, meaning any household
with two or more unrelated fans (or, provided three or more
fans were involved, could include married couples). (rb)
SLASH FICTION:
Fiction with a homosexual theme; originally started with
Kirk/Spock (Kirk slash Spock) stories. Slash fiction is fan-
written fiction about characters from professional fiction
(typically television or movies, as in the prototypical
Kirk/Spock fiction), involving those characters in a sexual
relationship which was not shown in the original. (MK)
SMOF:
Secret Master of Fandom.
1. Tongue in cheek term for the fans in smoke filled back rooms
who "really" decide the course and future of Fandom.
2. Person Behind The Scenes; usually applied to that rarefied
"upper stratum" of fandom that goes 'way beyond the call of
duty to ensure that Fandom gets to do what Fandom "wants" to
do, e.g., Worldcon chairs of note, gonzo hotel negotiators,
super golly gee whiz con programming types, etc.
3. Harry Warner Jr. (rb)
SMOFCON:
A convention for convention planners/runners.
SMOOTH or even SMOOOOOOTH:
(v.) To drink bourbon (preferably Jim Beam green label) with
Bob Tucker and participate in the appropriate ceremony. (KR)
SPACE OPERA:
To sf what "horse opera" is to westerns. Best represented by
the work of E.E. "Doc" Smith, most science fiction from the
30's and 40's fits into this category. Also called, at times,
"Blood and Thunder" (if good) or "Thud and Blunder" (if not).
The Galactic Patrol, ray guns (sometimes simultaneously with
swords), BEMs, Buck Rogers & other heros who knew which side
their swash was buckled on are all space opera, and
recognizably space opera stories are still being published
today. (SD)
SPECULATIVE FICTION:
SPEC FIC:
Any fiction of a speculative nature, but especially science
fiction, fantasy and horror that feels embarrassed when it is
called science fiction, fantasy or horror. (KR/rb)
SPIDERISM:
A fannish religion. Originated by John Kusske, Al Kuhfeld,
and Blue Petal. See: THE GREAT SPIDER. (KR)
STAPLE WAR:
See Mock Feuds.
STEAM:
See Mock Feuds.
STF:
STFNAL:
See: SCIENTIFICTION
STFNIST:
A snotty stuffed-shirt way of saying "science fiction fan".
(rb)
SUBWAY INCIDENT:
It was in the early a.m., after a meeting of the New York
Fanoclasts, just a few days after the Kitty Genovese incident.
Kitty Genovese was a young woman in Long Island, New York, who
was knifed repeatedly; to her screams of terror and pleas for
help, her neighbors closed their doors and windows and did
nothing--they Didn't Want To Get Involved--so her attacker was
able to keep coming back until, finally, he killed her. Dave
Van Arnam had been particularly vehement in his condemnation of
"these scumbags who pass for human beings" at that very
Fanoclast meeting. On their way home, Dave, Earl Evers, Mike
McInerney, Steve Stiles, rich brown and perhaps others were all
waiting for the same subway in a station not far from Ted
White's apartment, where Fanoclast meeintings were held; as the
subway pulled into the station, a knife-wielding man inside one
of the cars was seen chasing a terrified woman. Dave stepped
in, simultaneously shielded the woman from the man with his
body, held the man at bay by threatening him with his balled up
fist and held the door of the car open with his shoulder until
the motorman--who simply wanted to leave--called the police.
Earl Evers kept the man with the knife wondering by going into
a low karate crouch and sidling around behind him, while the
rest tried to look like they would back Dave up. After the
police came and took the man away, everyone urged Dave to write
up the incident. He started doing so the following week but
never told the full story--this is probably the first time it's
ever been told--in his fanzine FIRST DRAFT, which inspired APA-
F, which inspired APA-L, both of which see. (rb)
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